cop so they can keep each other out of the way.Īt L.A. So they get the idea of pairing up theChinese guy and the L.A. The feds want nothing to do with a cop from overseas, andthey also don't want the LAPD involved. There they kidnap the daughter of the Chineseconsul, who tells the FBI he wants Chan, a family friend, flown in to help withthe investigation. I’m just not comfortable with the idea of using sex to sell my music or my movies.”Īmy Longsdorf is a Palmerton-based free-lance writer who doesn’t want to imagine a world without Preston Sturges, Judy Garland and Chow Yun-fat movies.The story: During the last days of Hong Kong's status as aBritish colony, supercop Chan busts up a smuggling ring, but the mastermindsescape to the United States. I’m just 17 and I don’t have the confidence to do that kind of thing. “In a day and age where sex sells, I can understand why Britney rips her clothes off. Moore’s role models are Whitney Houston, who executive-produced “The Princess Diaries,” and country crooner Faith Hill, not the Britneys and Christinas of the world. They don’t have time to contact me and Jessica.” Actually, Jessica and I aren’t in the same league as Britney and Christina, so the idea of rivalry and competition doesn’t even enter the equation. “I have her cellphone number and we talk all the time. “Jessica and I are the absolute best friends,” says the singer. She insists there is absolutely no truth to the stories about the rivalry between herself and those other teen divas Britney Spears, Christina Aguilera and Jessica Simpson. In Garry Marshall’s delightful “Diaries,” Moore plays an evil cheerleader who spreads gossip about the movie’s heroine (Anne Hathaway). The more they give you, the more you give back.” “It becomes a love affair with your audience. “Doing the movie was a blast, but there is no greater adrenaline rush than performing live at a concert,” says the 17-year-old, whose first CD “So Real” went platinum in just three months. Pop royalty - Hit maker Mandy Moore might be making her film debut Friday in Disney’s “The Princess Diaries,” but she’s not about to hang up her microphone just yet. I knew that people would want to see us together again in this movie.” What changed my mind was working with Jackie again. (Tucker earned $20 million while Chan was paid $15 million for the sequel.) “No, I’m just kidding. “Being offered $20 million,” he says, laughing. He earned $3 million for the first “Rush Hour.” So, what convinced Tucker to go back to work on “Rush Hour 2”? Of course, the comic could afford to relax. I wanted to do stuff that I was really going to have fun with.” I feel I’m young and I’ve got a long time to do movies, and I didn’t want to just jump out there and do any movie stuff just to do it. So, I spent the time soul-searching and growing up. “To be honest, I couldn’t find anything worth doing. “Everything that you’ve seen that a black person could be in, they offered it to me first, and I was like, “Nope, nope, nope and nope.’ “I had so much crazy stuff thrown at me,” he recalls. Tucker certainly didn’t suffer from a lack of job offers. The cops-vs.-Triads plot is a device on which to hang lots of funny business between the dynamic duo. This time around, the cocky Californian arrives in Hong Kong and immediately undergoes culture shock. While the first “Rush Hour” cast Chan as a fish-out-of-water in Los Angeles, the sequel, which opens Friday in area theaters, turns the tables on Tucker. Chris trusts me with the action comedy, and I trust him with the verbal comedy. People are curious about seeing us interact.”Ĭhan agrees, adding, “The first movie was like, “Who cares? We’re making a film.’ But Chris and me and Brett became buddies on the set this time. “It’s like a culture clash between the two of us on screen. “The movies work for one simple reason: the chemistry between me and Jackie,” announces Tucker during an interview in Los Angeles. Their current collaboration, “Rush Hour 2,” demonstrates once again how well these opposites attract. Proof of that arrived in 1998, when the $25 million action comedy “Rush Hour” captured more than $300 million at the box office. Fast-talking comic Chris Tucker and martial-arts maestro Jackie Chan work well together.
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